Concert Essay

Attending A Jazz Concert Essay

Attending a Jazz Concert

The latest concert that I attended was the NEIU Jazz Ensemble. It was
held in the NEIU auditorium. This was my first time
attending a Jazz concert. Therefore, I didn’t know what kind of music to
expect or any music that I was familiar to. This concert was a new
experience for me. It was far different from a rock concert held in some big
venue. The purpose of this concert was to give people a taste of the NEIU
Jazz Ensemble. The heritage or the background of this concert was strictly
Jazz music.

I was excited about my attendance at this concert. It would be the first
time I was going to a Jazz concert. I knew that I wouldn’t be disappointed or
get board there. The music they played was not the kind that makes you dose
off. I always loved the sound of a trumpet. My favorite musical group the
Dave Matthews Band has a trumpet player, and this is how I started enjoying
the sound. Therefore, I knew that this concert must be worth going to. This
concert gave me a chance to look more deep into what Jazz music is all
about.

The music that was performed was Jazz. The entire Ensemble had
fifteen people in it. There were only fourteen actual performers. One guy
was the director of the whole thing and he was composing. The composer
composed with his hands instead of a composing stick. This was an
interesting observation for me. The instrument that were used at this concert
were the Woodwinds which had five players on it. This was the most players
in one category of instruments. The Woodwind players were seated in the
first row. Other instruments used were the Piano, Bass, Drums, Trombones
and the Trumpets. There was one vocalist. There were two Trombone
players and three Trumpet players. They were all standing behind the
Woodwind players. The Piano, Bass, and the Drums were on the left side of
the stage. The composer was facing the performers during a song. After a
song was over the composer turned around to the audience and bowed.

The concert lasted about one hour. It started at 7:30 p.m. and went on
till about 8:35 p.m. There were seven songs that were performed. Every
song was around ten minutes long. Some were a little shorter about five to
six minutes in length and a couple songs were a little over ten minutes. The
concert seemed to be well organized time wise and convenient wise. The
concert was free admission and general seating. This was there only concert
at NEIU for the fall semester.

The music performed was done in a formal fashion. The performers
seem to take pride in what they were doing and also what they were
representing. Each performer were introduced individually by the composer.
The composer also told the audience about their background and what the
performers were majoring in. All but one of the performers were getting
certified to teach music. Most of the performers were wearing a shirt and tie
outfit. Some of...

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February 20, 1997
William Strang
Music 6
Concert Paper #3

On Feb 20,1997, I attended a piano concert that was performed by Barbara Wieman. The performance was held at the American River College Music Department choir room. The choir room holds about 100 people and every seat was taken and students were seated on the floor. The audience was dressed casual as everyone was students trying to do their concert papers. Barbara Weiman was also dressed casual but nice. The piano concert started at 12:20pm and was finished at 1:05pm. The program started with a piece from L.V. Beethoven called Sonata in F minor, Op.57. This piece can be characterized by an intense, dramatic use of fluctuating dynamics. It was as if the crescendo was not allowed to climax, then is aborted by a sudden change to pianissimo. The so called Beethoven motif was used throughout the piece, very effectively I might add. Barbara Wieman was very animated performing this piece and seemed to be very emotional while playing. This piece was very distinct and there was an effective use of rests that was displayed. I would call this piece very serious. After Beethoven we were treated to F. Schuberts Impromptu in G flat Major, Op. 90, No.3. This piece was very pleasing to the ear so we could call this consonant. The music seemed to flow and had a great rhythm. This piece was romantic in nature and probably that is why it was written in the romantic era. C. Debussy "s Feux d"artifice (fireworks) was the next piece played. The harmony was very obscured in this piece of music. The theme trying to be presented in this piece was as if fireworks were going off. The notes were ever changing and there was a very good uses of all the keys of the piano. This piece was not very pleasing at all and I did not care for it at all. From looking around the room it seemed other people would agree. After that unpleasant piece was played we were lead into La Cathedrale engloutie (The Sunken Cathedral). It was very slow starting but eventually started building the tempo and then seemed to drop off and become very slow in tempo. This piece seemed as if it were trying to tell a story. Alot of people seemed as if the were going to sleep. The last piece was changed from S. Prokofieff to Chopin"s Ocean Atrium piece. This piece had rhapsodic melodies giving the illusion that the piece might have been improvised. It was very moving and flowing using melody and harmony. Very pleasing and also from the romantic era. What a great way to end the piano concert. Everyone enjoyed the music so much that she provided us with an encore. She played another piece by Chopin. I would definitely recommend to anyone wanting to learn more about music to take your class. This has been a great experience for me.
February 17, 1997
William Strang
Music 6
Concert Paper #2

On Feb 15,1997, I attended a concert put on by the Sacramento Chamber Orchestra. The performance was held at the Dietrich Threatre, Sierra College in Rocklin. Dietrich Threatre seats about 500 people, and on that evening there was about 300 people present. The concert dress was casual for the audience but the Sacramento Chamber Orchestra performers were dressed in tuxedo"s for the men and black outfits for the women. The performers consisted of 8 women and 10 men. The orchestra was conducted by Zvonimir Hacko. Programs were provided and the concert followed the printed program very well. The starting time was 8:00pm and finished at 10:00pm.
The style of music played varied because of all the different musical era"s represented. Mozart from the classical era, Dvorak from the romantic era, Bartok from the early 20th century, and Copland from our present. The Sacramento Chamber Orchestra consisted of Violin 1, Violin 2, Viola, Violoncello, Double Bass, Piano, and Harp. When combined, the performance was outstanding and uplifting.
The concert opened with Mozart"s marvelous miniature, "Eine Kleine Nachtmusik" which stands for ("A Little Serenade"). Mozart"s Serenade, which is like a tiny symphony, was conducted and played with exemplary care. The tempo of the music was upbeat, it"s dynamics were managed thoughtfully, and the musical form presented consisted of alterations that were superb. The "romance" of the second movement was hushed and tender, the finale was as light as air.
After the finale of Mozart"s we were treated to the Dvorak Serenade in E opus 22. The Dvorak was in five movements lasting a little over half an hour. The waltzes of the second were a bit of folk flavor, and were quite beautiful. The third movement, Scherzo, was dance like and soulfully romantic. The fourth movement,Larghetto, was even more soulful in mood, which deepened as its melody passed from the violas to the cellos. The finale brought us back with a touching recollection of the very beginning of the work. The Bartok Divertimento was in three movements. It can be best described as continuous, fascinating, exciting and full of action. The melodies were strong, as were the rhythmic pulses and dissonance"s. So much was happening that all you could do was go for the ride and enjoy it. The last major piece was by Copland, called Concerto for Clarinet and String Orchestra with Harp and Piano. The Copland piece was in two movements bridged by an unusually long cadenza(Soloist), that lasted over three minutes. The soloist seemed to dwell on the lyric sweetness of the first movement and then signaled the merriment of the second movement. The first part struck me as very slow but the second part was very rhythmic,very perky, and was passed around appreciatively by all, while the piano and clarinet were trading ideas with each other. All in all, this piece signaled excitement and was made very enjoyable with the clarinet and piano. As this was my first Chamber Concert I was not sure what to expect. I thoroughly enjoyed myself and I"m looking forward to my next concert.

 

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